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Representative Relevant Publications by AMS Group Members:
(Please note that this is a very selective, not always entirely up-to-date list that does not reflect the total published production of the researchers listed! It is provided here only to give an idea of the sorts of things members of the group have published that are of relevance to the program.)
Bernstein, Marc Kibrick and Anne Helle Jespersen. (2011) Rytmiske Byggesten. Fra J.S.Bach til James Brown Book incl. cd (80 pages, 22 tracks) Dansk Sang. ISBN: 978-87-7612-681-0.
Boysen, Mikkel Snorre Wilms (2013): "Kreativitet, børn og teknologi – en diskussion af kreativitetsbegrebet set i forhold til børns musikalske udfoldelser via digital teknologi,
i: Steen Beck & Dion Rüsselbæk Hansen (red.). FRIHED & STYRING - En antologi om læringskultur i forandring. Syddansk Universitetsforlag.
Brooks, Anthony L. (Ed.)Arts and Technology Second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011, Revised Selected Papers Series: Lecture Notes of the Institute for Computer Sciences, Social-Informatics and Telecommunications Engineering http://www.springer.com/series/8197, Vol. 101. 2012, XII, 177 p. 80 illus.
Bjarke, Inge. (2009) SNAPSHOT- An Introduction to Sight-Reading. MUFO (English version 2011)
Bjarke, Inge. (1994) Rytmer med Toner (“Rhythms with Tones”) MUFO.
Bjarke, Inge. (1991) Musikkens Grundbegreber (“The Fundamental Concepts of Music”) MUFO.
Christensen-Dalsgaard J (2004), “Music and the Origin of Speeches”, JMM: The Journal of Music and Meaning 2, Spring 2004 http://www.musicandmeaning.net/issues/showArticle.php?artID=2.2
Christensen-Dalsgaard J (2006) “Amphibian Bioacoustics.” In: Handbook of Signal Processing, New York: Springer-Verlag.
Davidsen, Mogens (2010) Sonnetbilleder: Digtsamling og billeder udgivet i forbindelse med udstilling på Tobaksgaarden - Kulturhuset i Assens, september 2010. Assens: Tobaksgaarden.. http://issuu.com/tobaksgaarden/docs/mogensdavidsen?mode=window&pageNumber=1
Frimodt-Møller, Søren R. (2012) "Just for the Record? The Album Cover as Part of the Listener’s Music Experience." Paper at the NMIMIPA Network Meeting July 22, 2012, King's College London on the occasion of the second annual conference of the RMA-MPSG (Royal Musical Association Music and Philosophy Study Group) held at King’s College London on July 20-21, 2012, http://www.nnimipa.org/PROGRAM_LONDON_2012_A5.pdf pp. 2-3. (Published abstract.)
Frimodt-Møller, Søren R., Grund, Cynthia M., and Jensen, Kristoffer. (2011b) "From Network to Research: Ten Years of Music Informatics, Performance and Aesthetics". Peer-reviewed conference proceedings for ArtsIT 2011 - Second International ICST Conference on Arts and Technology December 7-8 - Esbjerg, Denmark. The Institute for Computer Sciences, Social Informatics and Telecommunications Engineering (ICST) 8 pp. Digital conference proceedings.
Frimodt-Møller, Søren R. (2011a) "Norms, goals and group consciousness: rethinking the dynamics of a music performance." Paper presented at the Inaugural Conference of the Music and Philosophy Study Group (Royal Musical Association) in London, England Department of Music, King's College London,1--2 July 2011, http://www.musicandphilosophy.ac.uk/wp-content/uploads/2011/07/RMA-MPSG-Conference-2011-Programme.pdf, p. 9. (Published abstract.)
Frimodt-Møller, Søren R. (2010) Playing by the Rules? A Philosophical Approach to Normativity and Coordination in Music Performance. PhD dissertation successfully defended by SRFM at The University of Southern Denmark on October 7, 2010. Available online at http://www.orkesterfilosofi.dk/DissertationMay2010.pdf
Frimodt-Møller, Søren R. (2009). “Suggestions for Strategies in Modeling the Role of Reasoning in Ensemble Coordination”. In Kurzen, Lena and Velazquez-Quesada, Fernando R. (eds.) Logic for Dynamics of Information and Preferences.Seminar’s Yearbook 2008. Amsterdam: Institute for Logic, Language and Computation, Universiteit van Amsterdam, pp. 1-18.
Graugaard, Lars (2004). “Open and Closed Form in Interactive Music.” In: Computer Music Modeling and Retrieval, Second International Symposium (CMMR 2004), Esbjerg, Denmark. Revised Papers. Berlin & Heidelberg: Springer Verlag, pp. 149-157.
Graugaard, Lars (2000/01). “Interaktiv Computermusik er hverken Interaktiv eller Computermusik”, Dansk Musiktidsskrift, 75/6, pp. 197-201.
Grund, C. M. and Westney, W. (2012b) "What’s so Mysterious about the Ineffable?" Paper presented by Grund and Westney at the NMIMIPA Network Meeting July 22, 2012, King's College London on the occasion of the second annual conference of the RMA-MPSG (Royal Musical Association Music and Philosophy Study Group) held at King’s College London on July 20-21, 2012, http://www.nnimipa.org/PROGRAM_LONDON_2012_A5.pdf pp. 4-6. (Published abstract.)
Grund, C. M. and Westney, W. (2012a) “Music as Sport.” Paper presented (by Grund) at the Annual Meeting of the Danish Philosophical Association/Dansk Filosofisk Selskabs Årsmøde 2012, Roskilde, Denmark. http://m.nsuweb.net/dbadm/fpdf/abstracts.php. p. 7.(Published abstract.)
Grund, C.M. and Tosovic, Daniel, producers (2011e). Episode in the documentary television program series about the Lunchtime Concert Series at SDU, University of Southern Denmark at Odense. The nearly half-hour long (23:46) episode features concert clips from the February 10, 2011 Lunchtime Concert at SDU as well as interviews in which Gustav Krogh Hansen Piekut, Assoc. Prof. Cynthia M. Grund and Søren R. Frimodt-Møller, PhD participate. Aabenraa, ALT: Aabenraa Lokal TV. The program will be permanently available at http://vimeo.com/channels/musikmedalt. During the broadcast week September 26 - October 2, 2011 the program could be viewed on ALT, Aabenraa Lokal TV on the TV Sønderjylland (TV-SDJ) network.
Grund, C. M. and Westney, W. "Pathways to Authenticity in Operatic Interpretation." (2011d) Paper presented by Grund (on site) and Westney (via Skype) at the Inaugural Conference of the Music and Philosophy Study Group (Royal Musical Association) in London, England Department of Music, King's College London,1--2 July 2011, http://www.musicandphilosophy.ac.uk/wp-content/uploads/2011/07/RMA-MPSG-Conference-2011-Programme.pdf, p. 22. (Published abstract.)
Grund, C. M. and Westney, W. (2011c) “Narrative and Music: A Flexible Partnership on the Performing Stage and in the Rehearsal Studio.” Working with Stories. Narrative as a Meeting Place for Theory, Analysis and Practice: Proceedings from the 2nd ENN Conference, Kolding 2011, pp. 78-92 at http://www.narratology.net/sites/www.narratology.net/files/proceedings.pdf. Publisher: European Narratology Network (ENN) | www.narratology.net. Collected by Per Krogh Hansen, Chairman of the ENN. ISBN: 978-87-994644-0-1.
Grund, C. M. and Westney, W. (2011b) “Audience as Context/Publikum som kontekst.” Paper presented (by Grund) at the Annual Meeting of the Danish Philosophical Association/Dansk Filosofisk Selskabs Årsmøde 2011, Copenhagen, Denmark. http://filosofi.ku.dk/aarsmoede2011/programmanchetter/. (Published abstract.)
Grund, C. M., Frimodt-Møller, S. R. and Lorenzen, J. E. “Editorial.” (2011a) JMM: The Journal of Music and Meaning, vol.9. Accessible online at http://www.musicandmeaning.net/articles/JMM9/EditorialJMM9.pdf.
Grund, Cynthia M.; Araghipour, Janus Høgfeldt; Bonne, Jane; Sjødahl, Carsten; Jensen, Leif; Frimodt-Møller, Søren R. (2010e) “Musik for folket!”/“Music for the People!” Documentary TV broadcast (in Danish) about the Lunchtime Concert Series at SDU. Voiceovers and Interviewing by Poul Olsen; Produced by Daniel Tosovic. Aabenraa, ALT: Aabenraa Lokal TV. http://vimeo.com/channels/musikmedalt.
Grund, C.M and Westney, W. (2010d) Music, Movement, Performance & Perception: Perspectives on Cross-Disciplinary Research and Teaching within NNIMIPA - Nordic Network for the Integration of Music Informatics, Performance and Aesthetics. An essay in words and pictures recounting the NordPlus-sponsored Coordination Meeting for NNIMIPA held at the University of Oslo, February 18-19, 2010. Text: Cynthia M. Grund and William Westney. Photography: Cynthia M. Grund. Odense: The Institute of Philosophy, Education and the Study of Religions at the University of Southern Denmark and NNIMIPA: Nordic Network for the Integration of Music Informatics, Performance and Aesethetics, a network supported by NordPlus, 76 pages. ISBN 978-87-92646-11-8. Release date for print version: November 11, 2010. Online version at:http://www.nnimipa.org/CM.html.
Grund, C.M. (2010c) "Filosofiske og æstetiske overvejelser over digitalisering af musik og lyd." Multimedia presentation and paper presented on April 24 at the 2010 Annual Meeting of the Danish Musicological Society/Dansk Selskab for Musikforskning Musik, lyd og digitalisering. For published abstract, see http://www.musikforskning.dk/downloads/2010_papers/program_abstract_2010.html. For online presentation which provided the case studies, see Jensenius et al. (2010). (Published abstract.)
Grund, C. M. (2010b) "An Examination of the Distinction between Popular and Art Music/En undersøgelse af skelnen mellem populær- og kunstmusik." Paper presented on March 7 at the Annual Meeting of the Danish Philosophical Association/Dansk Filosofisk Selskabs Årsmøde 2010. Erfaring og opmærksomhed/Experience and Attention, Copenhagen, Danmark. http://www.dpu.dk/fileadmin/www.dpu.dk/arrangementer/Abstracts_DFS.pdf, p.9. (Published abstract.)
Grund, C.M and William Westney (2010a). "Music and Meaning: Duets and Dialogues." TV broadcast (in English after a short voiceover in Danish). Aabenraa, ALT: Aabenraa Lokal TV. Produced by Daniel Tosovic. http://vimeo.com/channels/musikmedalt (Television documentary.)
Grund, Cynthia M. (2009b). "Pedagogy and Philosophy Viewed from the Piano Bench: IFPR's Cynthia M. Grund Interviews Incoming H.C. Andersen Guest Professor William Westney." GymPæd 2.0, (2), 9-10. http://www.sdu.dk/~/media/Files/Om_SDU/Institutter/Ifpr/gp2/GymPaed2.ashx
Grund, C.M & Westney, W. (2009a) “Playing the Ineffable: The Romance of Musical Pragmatism." Published abstract; Paper presented at Meaning in the Arts: An Interdiscliplinary Conversation, September 11 -12, 2009, Texas Tech University, Lubbock, Texas, USA. (Published abstract.) Link HERE.
Grund, Cynthia M. (2008) “Issues of Meaning and Interpretation Raised by Diagetic versus Non-diagetic Use of Music in Television and Film.” Conference: Sense Perception,Epistemology and Aesthetics/Sansning, Erkendelsesteori og Æstetik. The Annual Meeting of the Danish Philosophical Association 2008/Dansk Filosofisk Selskabs Årsmøde 2008, Odense, Danmark, 7. marts 2008 - 8. marts 2008. Research: Published abstract pp. 28-29 http://www1.sdu.dk/dfs/aarsmoede2008/Program%20-%20DFS%202008.pdf
Grund, Cynthia M. (2007) “How Computer Music Modeling and Retrieval Interface with Music-And-Meaning Studies : Overview of Panelists' Suggestions for Discussion Topics.” Proceedings of the 2007 International Computer Music Conference, August 27-31, 2007. Copenhagen, Denmark. San Francisco and Copenhagen: The International Computer Music Association and Re:New-Digital Arts Forum, pp. 133-136.
Grund, Cynthia M. (2006b) “Interdisciplinarity and Computer Music Modeling and Information Retrieval: When Will the Humanities Get into the Act.” Lecture Notes in Computer Science; nr. 3902, Berlin & Heidelberg: Springer Verlag pp, 265-273.
Grund, Cynthia M. (2006a) “Mad, betydning ... og så opstår musikken ud af lyd.” Tankeføde - om mad, måltider og fødevarer i sammenhæng. Eds. Steen Brock; Anders Moe Rasmussen; Brian Benjamin. Aarhus : Philosophia, 2006, pp. 191-200.
Grund, Cynthia M. (2005b) “Music Information Retrieval, Memory and Culture: Some Philosophical Remarks.” Proceedings of the Sixth International Conference on Music Information Retrieval. Joshua D. Reiss and Geraint A. Wiggins, eds. London: Queen Mary, University of London, pp. 8-12. (For ISMIR2005 online proceedings, please see http://ismir2005.ismir.net/proceedings/index.html).
Grund, Cynthia M. (2005a) “Double Jeopardy: The Interdisciplinary Study of Music and Meaning.” Danish Yearbook of Musicology, Vol. 32, 2004, s. 9-14.
Grund, Cynthia M. (2001) “Music, Logic and Intentionality.” Proceedings of the Twelfth Meeting of the FWO Research Society on Foundations of Music Research: Music and Logic, Chapter 2, University of Ghent.
Grund, Cynthia M. (1997). Constitutive Counterfactuality: The Logic of Interpretation in Metaphor and Music. København: Askeladden.
Hannula, Mika, Suoranta, Juha & Vadén, Tere (2005). Artistic Research. Theories, Methods, Practices. University of Gothenburg.
Heide, Morten (2012) "The Search for Musical Perfection when Preparing a Piece for Recording – Beyond the Musical Score" Paper presented at the NMIMIPA Network Meeting July 22, 2012, King's College London on the occasion of the second annual conference of the RMA-MPSG (Royal Musical Association Music and Philosophy Study Group) held at King’s College London on July 20-21, 2012, http://www.nnimipa.org/PROGRAM_LONDON_2012_A5.pdf p. 2. (Published abstract.)
Heide, Morten (2011) "A Program of Practice-based Research Designed to Examine Listener Reaction to Olivier Messiaen's Vingt Regards sur l’Enfant-Jésus" Paper presented at the NMIMIPA Network Meeting July 3, 2011, King's College London on the occasion of the lnaugural Conference of the RMA-MPSG (Royal Musical Association Music and Philosophy Study Group) held at King’s College London on July 1-2, 2011, http://www.nnimipa.org/PROGRAM_LONDON_2011_A5_online.pdf p. 4. (Published abstract.)
Kristoffer Jensen, Søren R. Frimodt-Møller and Cynthia M. Grund (Forthcomng) "Perspectives on Gesture from Music Informatics, Performance and Aesthetics" byin ArtsIT2011, a special issue of IJART (International Journal of Art & Technology), Inderscience. (16 pp. ms,)
Jensen, Krisoffer; Søren R. Frimodt-Moller; and Cynthia M Grund (2012). "From Network to Research - Ten Years of Music Informatics, Performance and Aesthetics” in Arts and Technology Second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011, Revised Selected PapersSeries: Lecture Notes of the Institute for Computer Sciences, Social-Informatics and Telecommunications Engineering http://www.springer.com/series/8197, Vol. 101. Brooks, Anthony L. (Ed.) 2012, XII, 177 p. 80 illus. http://www.springer.com/computer/information+systems+and+applications/book/978-3-642-33328-6?changeHeader. Pp. 71-79.
Jensen, Kristoffer (2011) "Auditory Memory Model for Feature Estimation" Paper presented at the NMIMIPA Network Meeting July 3, 2011, King's College London on the occasion of the lnaugural Conference of the RMA-MPSG (Royal Musical Association Music and Philosophy Study Group) held at King’s College London on July 1-2, 2011, http://www.nnimipa.org/PROGRAM_LONDON_2011_A5_online.pdf p. 5. (Published abstract.)
Jensen, Kristoffer (2005b). “Multiple scale music segmentation using rhythm, timbre and harmony.” EURASIP Journal on Applied Signal Processing, Special issue on Music Information Retrieval Based on Signal Processing.
Jensen, Kristoffer (2005a). “Atomic Noise.” Organised Sound, 10(1), pp. 75-81.
Jensen, Kristoffer (2004). "Irregularities, Noise and Random Fluctuations in Musical Sounds.” The Journal of Music and Meaning 2, section 2.
Jensenius, Alexander Refsum; Kristian Nymoen; Cynthia M. Grund; William Westney; Ståle A. Skogstad (2010). "Video Suite - in Three Movements: Jensenius-Westney-Grund on Motion-capture, Music and Meaning." Multimodal webpage presentation of original motion-capturevideo with accompanying audio as well as original documentary- and interview-video and audio of the motion-capture labwork. Webpage: http://www.nnimipa.org/JWG.html on the website for NNIMIPA: Nordic Network for the Integration of Music Informatics, Performance and Aesthetics, a network funded under The Nordic Council of Ministers' NordPlus Program. NNIMIPA Webmaster and Network Coordinator: C.M. Grund.
Petersson, E. & Brooks, A. (2006). “Non-formal Therapy and Learning Potentials through Human Gesture Synchronized to Robotic Gesture [HRI] within a Virtual Environment [VE].” In: 3rd Cambridge Workshop on Universal Access and Assistive Technology (CWUAAT), Cambridge, UK).
Sauerberg, Lars Ole (2001). Intercultural Voices in Contemporary British Literature: The Implosion of Empire. London and New York: Palgrave.
Sauerberg, Lars Ole (1992). Fact into Fiction: Documentary Realism in the Contemporary Novel. London: Macmillan; New York: St. Martin’s Press.
Skovenborg, E. and Arnspang, J. (2003). “Extraction of Structural Patterns in Popular Melodies.” In: Proceedings of the Computer Music Modeling and Retrieval Conference Montpellier, France, May 26-27, 2003. Berlin: Springer-Verlag.
Søegaard, Fredrik & Claus Gahrn (2010), “Soundmapping the Genes”, JMM: The Journal of Music and Meaning 8, Winter 2009 http://www.musicandmeaning.net/issues/showArticle.php?artID=8.5
Søegaard, Fredrik (2010). Soundmapping the Genes (SMTG), Søegaard Ensemble. CD release, February 2010. Leo Records, CD LR 560.
Vadén, Tere. (2011) "‘Music as symbols: how corrupted is it? Paper presented at the Inaugural Conference of the Music and Philosophy Study Group (Royal Musical Association) in London, England Department of Music, King's College London,1--2 July 2011, http://www.musicandphilosophy.ac.uk/wp-content/uploads/2011/07/RMA-MPSG-Conference-2011-Programme.pdf, p. 22. (Published abstract.)
Vadén, Tere & Hannula, Mika (2003). Rock the Boat. Localised Ethics, the Situated Self and Particularism in Contemporary Art. Köln: Salon Verlag.
Vadén, Tere (2002). “Openness, Criticality and Language. Observations on the methodology of practice-based experimental research.” In: Kiljunen, S. & Hannula, M., eds. Artistic research. Helsinki: Academy of Fine Arts.
William Westney, Michael O'Boyle, Jinzhou (James) Yang , Cynthia M. Grund (2012). "Musical Movements and Meanings" Video and explanatory text published on YouTube on 31/07/2012 by TTUAcademicsResearch to document the beginning of the research project Technological and Aesthetic Investigations of the Physical Movements of Pianists http://www.youtube.com/watch?v=dmq6cW4cLik
Westney, William (2003 hardcover/2006 paperback). The Perfect Wrong Note. Pompton Plains, New Jersey: Amadeus Press.
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Department for the
Study of Culture
Research Director for
The Performances of
Everyday Living
Coordinator for
The Aesthetics of
Music and Sound
and
Editor and Webmaster for
www.soundmusicresearch.org:
Cynthia M. Grund
cmgrund@sdu.dk
Updates
PLEASE NOTE: During the month of March 2015 and possibly extending into April/May 2015, heavy construction will be taking place on this website behind the scenes as it "migrates" to new editing software. Please be patient with us during this period if occasionally some pages take on a strange appearance, or if updating seems to be a bit erratic. All efforts will be made to maintain the integrity of the page with the schedule for the seminar series Topics in the Aesthetics of Music and Sound: Mostly Metal here, but it will nevertheless be a good idea also to keep an eye on our Facebook group here and the regularly occurring announcements of events on it during this period. Thank you for your patience!
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