Project Descriptions

4. Practice-based Research

d)  Employing the Methods of Discourse Narrative to Support Interpretive Choices Faced by the Practicing Musician

 

(2011) Grund, C. M. and Westney, W. “Narrative and Music: A Flexible Partnership on the Performing Stage and in the Rehearsal Studio.” Working with Stories. Narrative as a Meeting Place for Theory, Analysis and Practice: Proceedings from the 2nd ENN Conference, Kolding 2011, pp. 78-92 at http://www.narratology.net/sites/www.narratology.net/files/proceedings.pdf. Publisher: European Narratology Network (ENN) | www.narratology.net. Collected by Per Krogh Hansen, Chairman of the ENN. ISBN: 978-87-994644-0-1.

Further work pending.

(William Westney, Cynthia M. Grund, Marianne Horsdal )

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Institute for the Study of Culture Institut for Kulturvidenskaber (IKV)   Research Director for The Aesthetics of Music and Sound and Editor and Webmaster for www.soundmusicresearch.org: Cynthia M. Grund cmgrund@sdu.dk     Projects   (For descriptions, please click on the tabs at the top of the page.)   1.Understanding Music through Modern Technology a) Recognizing Music b) Recognition of Expressive Styles in Music Performance c) Autonomous Agents – An Accompanist in VR d) The Composition and Its Role in the Ensemble 2. Intermediality a) Intermediality b) Lyric and Meaning in Music c) Towards an Aesthetic Theory of Correlativity d) Are Treatments of the Metaphysics of Music in Medieval Literature Relevant for Current Theories of Musical Meaning and Significance? 3. Learning through Music a) Music Communication b) Children's Knowledge Creation with Intelligent Agents in Music Education - Understanding for Optimizing Motivations c) Adaptable Interfaces & Augmented Avatar - Introducing Tools for the Disabled and Musicians in VR d) Community Singing and/or Ideology e) Creating Creativity f) Understanding Musical Creativity and Aesthetics in a Digital-Based Youth Cultural Context g) The Sound of Movement - the Sound of Learning 4. Practice-based Research a) Analysis and Implementation of Practice-Based Research b) Relationship of Gesture to Communicative Authenticity in Performance c) Musical Implications of the Work of Selected Philosophers d) Employing the Methods of Discourse Narrative to Support Interpretive Choices Faced by the Practicing Musician e) Soundmapping the Genes f) A Program of Practice-based Research Designed to Examine Listener Reaction to Olivier Messiaens Vingt Regards sur l'Enfant Jesus g) The Interrelationship of Notation and Performance h) Technological and Aesthetic Investigations of the Physical Movements of Pianists 5. Selective Bibliography