The Aesthetics of Music and Sound - www.soundmusicresearch.org Cross-Disciplinary Interplay between the Humanities, Technology and Musical Practice: Site of the SDU-IKV Research Program: The Performances of Everyday Living

Researchers in The Aesthetics of Music and Sound

- For information regarding researchers in the research program The Performances of Everyday Living, please see here.

Tony Brooks, Dept. of Architecture, Design and Media Technology -AD:MT, Aalborg University Esbjerg-AUE (Adaptable Interfaces & Augmented Avatar (JC) - Introducing Tools for Disabled and Musicians in VR)

Marianne Børch, Institute for the Study of Culture, IKV, University of Southern Denmark-SDU (Are Treatments of the Metaphysics of Music in Medieval Literature Relevant for Current Theories of Musical Meaning and Significance?)

Mogens Christensen, Academy of Music and Dramatic Arts/Syddansk Musikkonservatorium & Skuespillerskole-SMKS (Recognition of Expressive Styles in Music Performance)

Jakob Christensen-Dalsgaard, Institute of Biology, University of Southern Denmark-SDU (Recognizing Music - biological perspectives on music and the emotions)

Claudio Cifuentes-Aldunate, Institute for the Study of Culture, IKV, University of Southern Denmark-SDU (Lyric and Meaning in Music)

Mogens Davidsen, Institute for the Study of Culture, IKV, University of Southern Denmark-SDU (Towards an Aesthetic Theory of Correlativity)

Søren R. Frimodt-Møller, Dept. of Architecture, Design and Media Technology - AD:MT (The Composition and its Role in the Music Ensemble; Music and Meaning). For more information, please see www.orkesterfilosofi.dk

Claus Gahrn, Composer, Musician (Soundmapping the Genes)

Lars Graugaard, Composer, Musician (Autonomous Agents – An Accompanist in VR)

Cynthia M. Grund, Institute for the Study of Culture, IKV, University of Southern Denmark-SDU (Recognizing Music; Music and Meaning; Relationship of Gesture to Communicative Authenticity in Performance; Musical Implications of the Work of Selected Philosophers; Employing the Methods of Discourse Narrative to Support Interpretative Choices Faced by the Practicing Musician;Technological and Aesthetic Investigations of the Physical Movements of Pianists) For more information, please see http://www.cynthiamgrund.dk

Morten Heide, Pianist and Choral Director. Member-at-large, originally a representative of The Academy of Music and Dramatic Arts, Southern Denmark (AMDA)/Syddansk Musikkonservatorium & Skuespillerskole-SMKS. Odense, Denmark, Morten has now completed both degrees.  (A Program of  Practice-based Research Designed to Examine Listener Reaction to Olivier Messiaen's Vingt Regards sur l’Enfant-Jésus) http://mortenheide.dk/

Marianne Horsdal, Institute for the Study of Culture, IKV, University of Southern Denmark-SDU(Employing the Methods of Discourse Narrative to support Interpretative Choices Faced by the Practicing Musician)  

Kristoffer Jensen, Medialogy, AAUE (Recognition of Expressive Styles in Music Performance; Autonomous Agents - An accompanist in VR)

Anne Helle Jespersen, Research Librarian in Music, Head of Music Section; Library of the University of Southern Denmark (SDU). MA in Ethnomusicology and Cultural Communication. (Creating Creativity)

Eva Petersson, Dept. of Architecture, Design and Media Technology -AD:MT, Aalborg University Esbjerg-AUE (Children's Knowledge Creation with Intelligent Agents in Music Education - Understanding for Optimizing Motivations)

Niklas Saers, member-at-large, formerly representing Syddansk Musikkonservatorium & Skuespillerskole-SMKS and Aalborg University Esbjerg-AAUE  (Recognition of Expressive Styles in Music Performance)

Lars Ole Sauerberg, Institute for the Study of Culture, IKV, University of Southern Denmark-SDU , The University of Southern Denmark-SDU (Intermediality)

Hans Sydow, Academy of Music and Dramatic Arts/Syddansk Musikkonservatorium & Skuespillerskole-SMKS (Music Communication)

Fredrik Søegård,  Academy of Music and Dramatic Arts/Syddansk Musikkonservatorium & Skuespillerskole-SMKS (Soundmapping the Genes, Music Communication)     

Herdis Toft, Institute for the Study of Culture, IKV, University of Southern Denmark-SDU (The Sound of Movement -the Sound of Learning)

Tere Vadén, Aalto University, Dept of Art, Helsinki, Finland (Analysis and Implementation of Practice-Based Research) http://aalto-fi.academia.edu/TereVad%C3%A9n 

William Westney, School of Music, Texas Tech University Lubbock, Texas; HCA-Andersen Academy Guest Professor, IFPR, SDU. (Relationship of Gesture to Communicative Authenticity in Performance ; Musical Implications of the Work of Selected Philosophers; Employing the Methods of Discourse Narrative to Support Interpretive Choices Faced by the Practicing Musician; Technological and Aesthetic Investigations of the Physical Movements of Pianists)  For more information, see

http://www.depts.ttu.edu/music/SOM/WilliamWestney.asp; 

http://www.williamwestney.com;

SDU's HCA Guest Professor page;

http://www.soundmusicresearch.org/HCA_Prof.html.

 

Peter Edlef Nissen, Former Research Librarian, University of Southern Denmark-SDU, and Former Director, Syddansk Sang- og visecenter/The Song and Ballad Center of Southern Denmark. (Community Singing and/or Ideology)